I am happy to do so here. This list gets a little tricky.
21st CENTURY CHORAL MUSIC
Is anything that uses voices fair game? A cappella or accompanied? Ultimately I decided to establish and follow a set of clear guiding principles… even if in doing so I had to preemptively strike several worthy contenders from contention. Does durability count? There are a whole series of choral works from the middle part of the century that used to be hailed as masterpieces, but now seem to have faded away like Brigadoon into the Highland mists.
In lieu of these, I have chosen a few works that may not be as well-known, but which I suspect will have greater staying power over the long run. I am happy to entertain comments, rebuttals, and further suggestions! Adams: Harmonium. This was a break-out work for John Adams—a major work premiered by a major orchestra that brought him a major acclaim. He drew inspiration from Beethoven, Sibelius, Wagner and early Stravinsky, but also incorporated some of the ideas of minimalism to create a work that feels grounded in tradition while being very much a part of the modern world.
Then, satisfied, it drifts into final silence. Britten: War Requiem. I ultimately went with Peter Grimes in that it truly launched his career, making the War Requiem possible, but this in no way takes away from the power or importance of this mighty work, and I am pleased to list it here.
The inserted poems were written by Wilfred Owens, who fought in the trenches of World War I and wrote about his experiences.
He was killed on the front lines a week before the war ended, giving his poems greater poignancy. The result is a stunning work that captures the universal horrors of war. But what a series of amazing works they are, particularly the Requiem! Sometimes, the chants are the basis of the vocal lines, sometimes they are in the orchestral accompaniment, but they are always present and give the work a sense of timeless ritual. Supporting the chants, he created a gorgeous wash of harmonies that firmly ground the work in the modern world.
The result is a mystical, serene work that floats above the trials of this world and provides a vision of the next. He later re-scored the work for chamber orchestra, and again for solo organ, so it could be more readily performed in a liturgical setting. I prefer the full orchestra version. A personal aside. When we got the word that that concert had been canceled, and it became clear we were in for an extended labor dispute, we were pretty low.
It was a gorgeous moment of hope and community.
Mahler: Symphony No. This is an odd work, in that it is essentially a set of two distinct cantatas linked in their exploration of The Divine. And he pulled out all the stops to do so.
And while it is seldom performed with such forces today, it remains a Musical Event. Another aside. Some years ago I had the good fortune to perform this with the Minnesota Orchestra.This is a list of 21st-century classical composerssortable by name, year of birth and year of death.
The list includes composers who have made a significant impact on the world of classical music sincewhether through major festivals and promoters of contemporary music, broadcast media or commercial recording on widely distributed labels.
These composers work in the tradition of classical music. The 21st century is defined by the calendar rather than by any unifying characteristics of musical style or attitude, and is therefore not an era of the same order as the classical or romantic. However, the century to date can be considered a continuation of the postmodern era that began during the 20th century and differs from the earlier modernist era in matters of attitude more than style.
Female Composer. Nguyen-Thien Dao. Graham Reynolds. Jorge Villavicencio Grossmann. Odaline de la Martinez. Eric Lindsay. Christopher Cook. Michael Sidney Timpson. Robert Aldridge. Elmer Gantry opera. Zhanna Vasil'yevna Pliyeva. Yekaterina Chemberdzhi. Manuel Lillo Torregrosa.Some elements of the previous century have been retained, including postmodernismpolystylism and eclecticismwhich seek to incorporate elements of all styles of music irrespective of whether these are "classical" or not—these efforts represent a slackening differentiation between the various musical genres.
Important influences include rockpopjazz and the dance traditions associated with these.
The Top 10 Choral Works of the 20th Century
The combination of classical music and multimedia is another notable practice in the 21st century; the Internetalongside its related technology, are important resources in this respect. Attitudes towards female composers are also changing. Like the term 20th-century classical music"21st-century classical music" is defined entirely by the calendar and does not refer to a historical style period in music—in the sense that Baroque and Romantic do—but rather to all art music produced since the year Musicologists generally say that we are in the contemporary music period—a term which covers art music written from around  or depending on the historian's perspective.
During the 20th century, composers started drawing on an ever wider range of sources for inspiration and developed a wide variety of techniques.
Debussy became fascinated by the music of a Vietnamese theatre troupe and a Javanese gamelan ensemble and composers were increasingly influenced by the musics of other cultures. Schoenberg and the Second Viennese School developed the dodecaphonic system and serialism.
Jazz and the popular music of the West became increasingly important—both as influences on art music and as genres of their own. Music generally became more and more diverse in style as the century progressed.
The works of each of these composers represent different aspects of the music of this century but these composers all came to the same basic conclusion: music is too diverse to categorise or limit. In his interview with the magazine, Dutilleux argued that "there is only good or bad music, whether serious or popular".
The music of the 21st century is mostly post-modernistdrawing on many different styles and open to a great many influences. Post-modernism continues to exert an influence on composers in the 21st century.
Polystylism and musical eclecticism are growing trends in the 21st century. Composers have often started their musical career in one discipline and have later migrated to or embraced others, while retaining important elements from the former discipline.
In some cases, a composer now labelled "classical" may have started out in another discipline. For example, a specific label for John Zorn 's music is difficult to choose: he started out as a performance artist and moved through various genres including jazz, hardcore punkfilm musicand classical, and often embraces Jewish musical elements.
All of these diverse styles appear in his works. Elements of modernismspectral music and electronic music are combined with elements of the folk music of Eastern Europe and the resulting works are often influenced by the modality of Indian ragas.
Tansy Davies 's music also fuses elements of pop and classical music. Prince and Iannis Xenakis are both major influences. Composers are influenced from around the world. For example, inLa Monte Youngalong with Marian Zazeela, and senior disciple Jung Hee Choi founded the Just Alap Raga Ensemble which performs Indian classical music of the Kirana Gharana and merges the traditions of Western and Hindustani classical music, Young applying his own compositional approach to traditional raga performance, form, and technique.
Other composers have also drawn upon diverse cultural and religious influences. For example, John Tavener died drew his inspiration from eastern mysticism and the music of the Orthodox Church  and James MacMillan is influenced by both traditional Scottish music and his own Roman Catholic faith.
The influence of electronic music, numerology, unusual instrumentation and improvisational techniques are also apparent. He composes for the luteorpharion and torbanand is an advocate of musical historicism and has collaborated with Hans Kockelmans and the New York Bandura Ensemble led by Julian Kytasty.
His works often incorporate audiovisual elements . Composers find inspiration from other sources, too. The music of John Luther Adams an Alaskan environmentalist and no relation to the other John Adams discussed in this article is informed by nature, especially that of his native Alaska.
His Pulitzer Prize-winning symphony Become Ocean was inspired by climate change. Extended techniques such as over-pressure bowings coexist with lyrical folk songs and synthesized sounds. Composers have even created mashupsmore commonly found in pop music. Jeremy Sams ' The Enchanted Island is one example: he draws from HandelVivaldiRameauand other Baroque composers to create a combination of pasticcio and musical collage which also combines the baroque and the modern in its staging and costume.
According to A History of Western Music"it calls into question ideas of authorship and originality, making it a thoroughly postmodern work". The music of Osvaldo Golijov often combines the classical, modern and popular traditions within a single work juxtaposing contrasting styles—an important trend in the music of the s onward.I personally love classical music more than any other genre, except maybe EDM, so it comes with great pleasure to say that the landscape and conception behind classical music written today is consistently changing.
If you open up the New York Times, esteemed critics like Anthony Tommasini are consistently writing encouraging words about the very best up-and-coming 21st century composers. So who are these famous, talented, quirky, and strange geniuses that are changing the musical landscape of today as we know it? We take a look at the ten most famous living classical music composers in the entire world.
Known very well for his entrepreneurial musical activities, which include starting the New Amsterdam Records label as well as the Ecstatic Music FestivalJudd Greenstein represents a generation of composers who values the traditions of a variety of genres, seamlessly integrating the elements of music from past masters to contemporary minimalists into a sound that is both new and appealing. Although he is performed internationally, you can likely catch an event of his by stopping into New York City sometime.
One of the most esteemed composers of both the 20th and 21st centuries, Corigliano has won three of the most distinguished a prizes a composer can hope to achieve in his lifetime, including the Pulitzer Prize, the Grawemeyer Prize, and the Academy Award for best film score, for the film The Red Violin.
A long-time professor at Juilliard, John Corigliano writes in a style that is complex in technique yet accessible to modern ears. His Symphony No. Check out his Pulitzer-Prize winning Symphony No. In the last five years, his name has been consistently coming up in several of the top music publications, including Pitchfork music magazine as well as the New York Times.
Perhaps the most popular living composer on Facebook, Eric Whitacre is one of the few artists, in any genre, who consistently sells records and CDs that top the billboard charts of his particular genre.
I actually sang in a choir back in college I know, you desperately need to hear me sing now, mmmmm and had the pleasure to participate in his Lux Aurumque.
Hear them perform Lux Aurumque. Max Richter, who has worked with the likes of Vashti Bunyan and Future Sounds of London, as well as the new music ensemble Piano Circus, writes film scores and concert music works of dark, deceivingly simplistic depth.
Yeah, Penderecki and Reich are the only realistic contenders for most important living composers. I was shocked myself. The list is kind of invalidated not listing him, his work has been outstanding. And where is John Williams? I would put Part ahead of them all. His Spiegel im Spiegel will stand head and shoulders above the others. He is not merely a composer for vocalist. John Williams, Hans Zimmer…. Saw Hans last year. Chevaliers De sangreal. My breathing became erratic and my throat began to swell during the crescendo.
At the climax, tears came like rain. The man is a genius and should be honored on any top 10 list of living composers. As for Williams, he is a no brainer. Maybe the author was going for a less mainstream list. Save my name, email, and website in this browser for the next time I comment. Prev Article Next Article. You may also like. Robert Davidson 4 years ago. A bit US-centric perhaps? Carl 4 years ago. No Krzysztof Penderecki?
Josh 4 years ago.Choral Collections. Handbell score. Duration 30 minutes. Hope Publishing Company DP. Published by Hope Publishing Company H1. Arranged by Dorothy Horn. Published by Dorothy Horn H0. Beckenhorst Press BP Published by Beckenhorst Press BP. Composed by Klaus Heizmann. This edition: Saddle stitching.
Sheet music. Edition Schott. Classical, Collection. Vocal score. Schott Music ED Published by Schott Music HL. Pop Choral Series. Concert, Patriotic, Pop, Revue. Published by Hal Leonard HL. Arranged by Herb Frombach. Arranged by Larry Shackley.
Sacred Anthem, Eastertide. Duration 5'. Oxford University Press Arranged by James F. Published by WayWordBound H0.Choral musicmusic sung by a choir with two or more voices assigned to each part.
Choral music is necessarily polyphonal—i. It has a long history in European church music.
21st CENTURY CHORAL MUSIC
Choral music ranks as one of several musical genres subject to misunderstanding because of false historical perspectives or misinterpretation caused by the confusion engendered by unsolved semantic problems.
Choral, choralechoirand chorus stand in obvious relationship to one another and are in some respects used interchangeably when a body of singersfor example, is referred to as a choir, a chorus Latin noun derived from the Greek word chorosor a chorale, which properly is a Lutheran hymn tune. The definition of choral music has by circumstance and usage been forced to comprise a far wider area than a comparable definition of an instrumental genre.
It is unusual, to say the least, to perform a symphony with only a single instrument to each part, even though the opposite has occasionally happened when a string quartet movement is played by the massed strings of an orchestra.
Much music now performed by choirs, however, was originally intended for soloists; and, while the lack of historical authenticity may here be deplored, it is evident that a choral performance of a madrigal equivalent to an orchestral performance of a string quartet movement permits many amateur musicians to enjoy, as members of a team, music that might otherwise escape their knowledge. If a choral performance of genres for several solo voices, such as the madrigal, ballett, villanella, and part-song, results in a more neutral sound and a less personal intensity of expression, it is nevertheless true that the reverse sometimes offers unsuspected advantages, as when a work written for choir alone is performed by a group of soloists.
In certain cases the work may take on a new and enhanced aspect because each strand of melody within the texture carries a personal rather than a group expression.
In defining choral music, some attention should also be paid to the enormous variation in the size of choirs. A chamber choir need contain only a dozen voices, certainly not more than 20; whereas a choir assembled for the Handel Festivals in the 19th century or for the Berlioz concerts monstres in Paris during the same epoch, might have numbered thousands.
Modern traces of such massive choral effects may be found in the Symphony No. On the other hand, numerous modern choral works, because of their difficulty and complexity, seem to have been composed with a chamber choir in mind, as in the case of Cinq rechants by the French composer Olivier Messiaen.
If there is more than one voice to each part—i. Both types of singing may also coexist, since a choir may contain several capable soloists who may at certain points sing as a group without the choir or with the choir as a background.
This feature is the choral equivalent of the orchestral concerto grossoin which a small group of solo instruments alternate or combine with the main body of players. Examples of this may be found in choral music of all types and ages. The medieval rondeau was usually performed by a soloist who sang the verses, with a small choir for the refrain. When the mass became a vehicle for choral performance in the 15th century, the Christe Eleison, certain parts of the Gloria and the Credo, the Benedictus, and the Agnus Dei were frequently assigned to a group of soloists within the choir.
The Eton Choirbook motets demand similar treatment since red and black text is used to differentiate between those sections intended for soloists and those for full choir.
Comparable effects may be found in music written for special occasions, oratorios, verse anthems, and settings of the Passion. Although choirs existed throughout Europe in the Middle Agestheir role was restricted to unison singing of plainchant.
Styles of 20th & 21st Century Music
Polyphony was the exclusive preserve of soloists. This state of affairs was gradually modified for several reasons. Early forms of musical notation were not precise enough to allow choral performance of even the simplest two-part polyphony. As time went on, improved accuracy in notating pitch and time values permitted some degree of experiment in choral performance. Knowledge of the subtleties of mensural precisely measured music was at first the prerogative of a small number of initiates.
The ordinary member of the plainchant choir, or schola, was not expected to understand the notation or to perform music using it. But the teaching of musical theory spread rapidly in the 14th century, and singers became better equipped and educated than they had been at any previous time.The 20th century was a time of experimentation in music.
As travel became much more assessable cities became more cosmopolitan which lead to the development of new types of music.
The recording industry has heavily influenced 20th and 21st century music. Because of the recording industry various types of music became easily disseminated and various musical genres now prevalent in the 21st century began to emerge.
The 20th century was a time of experimentation in classical music. Composers during the beginning of the 20th century rejected what they considered the harmonic excess of the late 19th century romanticism. Although some composers chose to compose in older styles many sought to find their own way to simplify music.
Types of early 20th century classical music included impressionism, expressionism and neo-classicism. Minimalism, which is a style heavily influenced by far eastern music, gained a popularity in the 's and beyond. In the 21st century many serious classical composers continue to experiment with avant garde techniques while others have returned to a conservative neo-romantic style.
At the beginning of the 20th century New Orleans was one of the most cosmopolitan cities in the United States. The music we know today as Jazz was a fusion of many musical styles including blues, Latin American music, and European art music such as opera. The earliest jazz musicians were African Americans but it was a white jazz band, the Dixie Land Jass Band, that made the first jazz recordings and brought jazz to an international audience.
The classic New Orleans style of jazz which was prevalent until the depression, evolved into swing music of the '30s and '40s. Blues is a genre of music as well as a form. The most common form of blues is the 12 bar blues although 8 and 16 bar blues are also common.
The 12 bar blues refers to the number of measures of each theme or chorus. The blues developed in the southern U.Top 50 best Classical Voices
The blues developed out of the African American field work songs, gospel songs and rhythmic dance that were prevalent after the civil war. After the turn of the 20th century many regional styles of blues were found throughout the American south. The blues would be a key ingredient in jazz and rock music. Rock N' Roll developed from several musical styles including country, rhythm and blues and classic blues. Although the origins off rock n' roll cannot be traced to one single person, it is generally accepted by historians that rock n' roll began in Beginning indisc jockeys started to play shows which were aimed at white teenage audiences.
Rock N' Roll spread to Europe, especially England, during the s. Now in the 21st century there are many sub genres of rock n' roll but they can all be traced to the styles developed by artists such as Chuck Berry. Nicolas Arteaga has been working as a freelance writer since He writes articles about music education for "Musopen" and "Music Teachers Helper. He has studied music theory at the Guildhall School of Music.
By: Nicolas Arteaga Updated September 15, Share It. About the Author. Photo Credits.